Marfa Modern

by Thompson, Helen

$50.00

Twenty-one houses in and around Marfa, Texas, provide a glimpse at creative life and design in one of the art world’s most intriguing destinations.

When Donald Judd began his Marfa project in the early 1970s, it was regarded as an idiosyncratic quest. Today, Judd is revered for his minimalist art and the stringent standards he applied to everything around him, including interiors, architecture and furniture. The former water stop has become a mecca for artists, art pilgrims, and design aficionados drawn to the creative enclave in the austere, high-desert landscape.

In keeping with Judd’s site-specific intentions, those who call Marfa home have made a choice to live in concert with their untamed, open surroundings. Marfa Modern features houses that represent unique responses to the sky, its light and sense of isolation, some of which predate Judd’s arrival.

Here, conceptual artist Michael Phelan lives in a former Texaco service station with battery acid stains on the concrete floor and a twenty-foot dining table lining one wall. A chef’s modest house comes with the satisfaction of being handmade down to its side tables and bath, which expands into a private courtyard with an outdoor tub. Another artist uses the many rooms of her house, a former jail, to shift between different mediums — with Judd’s Fort D. A. Russell works always visible from her second-story sun porch.

Extraordinary building costs mean that Marfa dwellers embrace a culture of frontier ingenuity and freedom from excess: Salvaged metal signs become sliding doors and lengths of pipe become lighting fixtures; industrial warehouses are redesigned after the area’s white-cube galleries to create space for private or personally created art collections. Other materials are suggested by the land itself: adobe bricks or rammed earth; and mud and brick plastered with local soils, cactus mucilage, horse manure and straw.

2016

The Monacelli Press, 240 pages

Available in hardcover



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